In a metal scene oversaturated with imitation, few bands arrive with a sound and aesthetic as distinct as The Burned Over. Their debut album, The Last Great Awakening, is a five-year labor of genre-defying intensity — a collision of historical occultism, folk horror, and melodic metal complexity. At its core is vocalist and visionary Kim, whose history with acts like Gwar and Cruachan has already cemented her status in the extreme music underground.
We sat down with Kim to talk about spiritualist history, seances, stagecraft, and the band’s self-coined genre: Baphometal.
